Presse Ne Pas Avaler, Praz-Delavallade, Paris, France cat.)Ĭolor Pictures, Catriona Jeffries Gallery, Vancouver, Canada Scenes from the Pilgrim Story: Myths, Massacres and Monuments, Massachusetts College of Art, Boston, MA (exh.
Scenes from the Pilgrim Story: Goodbye Merry Mount, Galleria Emi Fontana, Milan, Italy Scenes from the Pilgrim Story: Natural History, Catriona Jeffries Gallery, Vancouver, CanadaĮchoplex, Paula Cooper Gallery, New York, NY Scenes from the Pilgrim Story: Myths, Massacres and Monuments, Blum & Poe, Los Angeles, CA (exh. This is Freedom?, Blum & Poe, Los Angeles, CAĭeath Penalty, Praz-Delavallade, Paris, France History Never Ends, I Hate to Bother You, Sadie Coles, London, UKĭead Labor Day, Paula Cooper Gallery, New York, NY Larger than Life, Stranger than Fiction: 11th Fellbach Triennial of Small Scale Sculpture, XIV International Sculpture Biennale of Carrara, Carrara, Italy Inquiring Eyes: Greensboro Collects Art, Weatherspoon Art Museum, Greensboro, NC Mirror Travels in Neoliberalism, Praz-Delavallade, Paris, France Propaganda of the Deed, Galleria Franco Soffiantino, Turin, Italy Laissez Faire et Laissez Passer, Le Monde Va De Lui Même, Blum & Poe, Los Angeles, CA Scaffold, Stroom Den Haag, The Hague, Netherlands La stessa storia, Museo d’Arte Contemporanea Roma, Rome, Italy Proposal for Public Fountain, Sadie Coles, London, UK Propaganda of the Deed, Database 2nd Edition, Centro Arti Plastiche, Carrara, Italy What #isamusuem, The Getty Center, Los Angeles, CA Pigs and Gold, The Archer School for Girls, Los Angeles, CA Proposal for White and Indian Dead Monument Transpositions, Washington, D.C., Los Angeles County Museum of Art, Los Angeles, CA
Invisible Surrealists, Paula Cooper Gallery, New York, NY Proposal for White and Indian Dead Monument Transpositions, Washington, D.C., Mildred Lane Kemper Art Museum, Washington University, St. What #isamuseum?, UC Berkeley Art Museum and Pacific Film Archive, Berkeley, CAĭreaming Mantas, Fundación Alumnos47, Mexico City, Mexicoīorrowed Scenery, Blum & Poe, Tokyo, Japan The Meeting House, curated by Pedro Alonzo and presented by The Trustees, The Old Manse, Concord, MA More Than ½ the World, Sadie Coles, London, UK One Wall, One Work, Krakow Witkin Gallery, Boston, MAīuild Therefore Your Own World, Blum & Poe, Los Angeles, CA Iconoclasm, curated by Pedro Alonzo, Library Street Collective, Detroit, MI
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Proposal for Nonaligned Monuments, Free Movement, CC Strombeek, Grimbergen, Belgium Untitled (drone), High Line Plinth, New York, NY
Iconoclasm, The Common Guild, Glasgow, Scotland MFA, California Institute of the Arts, Valencia, CAīFA, Massachusetts College of Art, Boston, MA
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